Professor sickened by dust, but VCU says facilities are safe
DEAN HOFFMEYER/TIMES-DISPATCH
Allan Rosenbaum, a professor in the crafts department at VCU, has an incurable lung disease caused by his exposure to hazardous dust.
One of Virginia Commonwealth University's star professors is incurably ill from dust inhaled in university studios, but the school says its facilities are safe and warnings adequate.
The state Workers Compensation Commission last year found that professor Allan Rosenbaum's silicosis was caused by his exposure to hazardous dust at the school. The commission awarded him permanent disability benefits totaling $211,800.
VCU officials earlier had shrugged off advice from Rosenbaum's doctor, a professor in its medical college, that it warn students and staff about the risk of silicosis after Rosenbaum's diagnosis in 2005. The doctor had asked for the warning just days after making the diagnosis.
Silicosis is a lung disease that causes severe shortage of breath. Rosenbaum, a professor in the department of crafts, no longer is able to work with clay and must limit his teaching to classrooms rather than studios. No other cases have been reported to university officials.
VCU also has canceled an outside study of the crafts department that it commissioned after Rosenbaum's diagnosis.
The university says its Fine Arts Building on West Broad Street is safe, and that classroom instruction and safety information documents kept in classrooms and studios since before Rosenbaum's illness provide sufficient warning about the dangers of breathing the dust.
"This is one of those cumulative diseases, caused by cumulative exposure. People were definitely being exposed. It seems right that they should be made aware of it," Rosenbaum said. "You'd think this'd be taken seriously."
Brian J. Ohlinger, VCU's associate vice president for facilities management, said he doesn't feel VCU students or staff working around the school's ceramics facilities are at risk. He said the Fine Arts Building, which opened in 2000, has the latest ventilation equipment and dust controls.
"We do, I think, work very diligently to make sure our students and staff are not exposed to hazardous materials," he said.
. . .
The hazardous material in this case is dust particles of silica, a common mineral found in clay, sand and rock. The dust in the Fine Arts Building comes from the powder that students and staff mix with water to make clay, as well as from scraping kilns clean of bits of clay and glaze.
Inhaling silica dust, whether from clay, sand or rock, over time can cause excessive development of fibers in the lung, resulting in severe shortness of breath.
Silicosis, known as a workplace hazard for the better part of a century, is incurable. The damage is similar to that caused by asbestos fibers and coal dust.
Rosenbaum found he had advanced silicosis in 2005, after several months of coughing led him to visit a doctor and get a new chest X-ray. An earlier X-ray, which he took as a routine precaution in 1998, was clear of any sign of silicosis.
After diagnosing Rosenbaum, VCU medical college professor Paul Fairman said he wanted an evaluation of dust in the college's studios. In an e-mail circulated to several VCU officials two days after the diagnosis, he warned, "There is a federal requirement that those who are exposed to the hazard [real or suspected] should be informed."
An e-mailed reply from epidemiology professor R. Leonard Vance noted: "My chair always wanted to know about anything that could have PR implications. There is an obvious [Occupational Safety and Health Administration] issue here."
Air-quality tests conducted by VCU staff after Rosenbaum's diagnosis found dust levels were 98 percent below hazardous levels -- but VCU did the testing after removing plastic bags that blocked ventilation vents, according to internal communications and testimony to the Workers Compensation Commission.
The U.S. Occupational Safety and Health Administration's permissible limits for dust depend on the percentage of the dust that is silica.
The state Department of Labor and Industry, which enforces federal occupational safety and health standards in Virginia, never has inspected the VCU building, spokesman Eric Delia said.
Ohlinger said there's no need for such inspections, because VCU has its own experts to do the work. If they had found any problem, the university would fix it without needing to inform the state agency, he said.
In a November 2005 e-mail to VCU arts school Dean Richard Toscan, Ohlinger said, "There is really no reason to test on an annual basis unless something changes."
. . .
Basil Varkey, a retired Medical College of Wisconsin professor and expert on silicosis, said the disease is less common than it once was because of tighter workplace safety oversight, particularly in mining and sandblasting.
Varkey said there is no cure and no treatment for silicosis. He said Rosenbaum is doing exactly what he must -- by not entering the clay studios and ceasing to work with clay -- to slow progression of the disease.
In the crafts department's clay-mixing room, the source of most of the silica dust is its studios. There are five intake vents directly above the mixing machines designed to take in dusty air and run it through a filter before releasing it outside the building, Ohlinger said.
But the vents didn't do that because university staff members taped plastic bags over them, apparently to keep the dust from spreading elsewhere in the building, according to sworn testimony before the compensation commission from VCU crafts professor Jack L. Wax and Stephen Robison, who teaches ceramics at the University of North Carolina at Pembroke and was a visiting professor at VCU. The bags covered the vents for about five years, they testified.
Woodworking and furniture design professor William Hammersly told the commission that when students and staff dumped powder into the clay mixers, they produced dust that would travel down the hallway, and walking through the area would raise dust into the air.
Hammersly, who shared work space with Rosenbaum, said dust traveled at least 40 yards from the mixing room. It covered walls and floors and hung in the air when disturbed, he said.
Robison testified to the commission that the Fine Arts Building was much dustier than other such buildings at universities where he had studied or worked.
. . .
University officials told Wax soon after his arrival at VCU in 2002 that the ventilation system did not meet design specifications, he said in a 2005 letter to University Provost Stephen D. Gottfredson.
The officials told him that while there might be valid reasons for concern, it would be a minimum of five years before the problem could be fixed, Wax added.
In 2002, dust from another part of the ceramics department, its kiln area, was so bad that the arts school built a wall between it and Wax's glass department, Wax testified to the commission.
That wall blocked the kiln room from large fans that had been installed to vent hot air and dust -- the kiln had to be scraped after each firing and was another major source of silica dust.
Ohlinger said he was unaware of any wall added to the building, despite the testimony of Wax and other crafts department staff.
University of Richmond sculpture professor Fiona Ross, who studied and worked at VCU from 1999 to 2005, told the commission she had to wear a respirator while working in the VCU kiln room.
She said that when cleaning crews made their daily rounds through the ceramics facilities, their sweeping created what she described as a fog of dust that would hang in the air for more than 45 minutes.
. . .
At Alfred University, the nation's top ceramics school, "gooseneck" connectors link the clay mixers to the clay-mixing room's vents and filters, said professor Andrea Gill, former chair of the department at the upstate New York school. Students are encouraged to wear respirators while mixing clay.
VCU health and safety officials do not require or encourage students to use respirators in the clay-mixing room. They say the exposure levels are well-below OSHA standards, and the ventilation system is designed for that particular use and so requiring respirators is not warranted.
At Alfred, shelves from the kilns are cleaned in a separate room, on a table that keeps the dust low. Students wear respirators while they do this work, she said. Dust from glaze, which like clay contains silica, is a concern because the glaze particles are finer than dust from clay and glaze becomes glasslike in the kiln -- both factors making it more dangerous.
Alfred students use "sweeping compound," an absorbent powder designed to trap dust, when cleaning up, while the school's cleaning crews use machines similar to Zamboni ice resurfacers to wet-clean the facilities several times a week, she said.
"Really, I've never heard of anyone else in ceramics getting silicosis," Gill said. "Maybe back in the 19th century, when people worked in factories with no ventilation at all."
Gill said Alfred gives students instruction on how to clean studios and the risks of the materials they might use, but she said teachers and artists across the country are baffled by Rosenbaum's illness, since properly handled clay is not dangerous.
. . .
Rosenbaum and his colleagues had complained, without success, that VCU cleaners should use sweeping compound, they testified at the workers' compensation commission. Ohlinger said VCU has started using wet mops and cloths to clean surfaces in the ceramics area.
At VCU, classes include instruction on the hazards of silica in clay. Those classes, along with the "material safety data sheets" are kept in work areas, provide sufficient warning, Ohlinger said.
The data sheets for silica, in the form of sand, warn that if inhaled, overexposure can cause lung damage; the data sheets for kaolin, a powder used to make clay, describe it as a nuisance dust.
"People are instructed to avoid it, but they see the dangers are relatively abstract," Rosenbaum said.
"We'd tell them about it, and then the janitors would be in there dry sweeping and raising dust," he said. "What's we're saying and what we're doing are two different things."
Ohlinger said that after Rosenbaum's diagnosis, VCU told cleaning contractors to start using wet mops and cloths to clean the Fine Arts Building.
Minutes from the craft department's January 2009 staff meeting, which disclosed that Rosenbaum's lung disease "was brought on by our facility," went on to note that "we will also get properly cleaned from now on."
The minutes report that VCU was ready to close the ceramics program but decided to bring in an industrial safety expert from Alfred University to report on VCU's ceramics, glass and wood facilities.
"Her findings will result in what will be fixed," the minutes added.
Ohlinger said VCU later decided not to bring in the outside expert, because it has its own industrial-safety program that could monitor fine-arts facilities.
The minutes noted that VCU's facilities meet federal safety standards. They provided no details.
But just a few weeks later, a textiles student was complaining that the air in the Fine Arts Building made her chest become painfully tight and her throat burn.
"I am unable to breathe and feel dizzy," she wrote to arts school Dean Richard E. Toscan. "As soon as I leave the building, I feel fine. . . . I don't know if anyone else has experienced ill effects from the building, but I really would like assurance that this building is safe."
In reply, a VCU health expert said he was unaware of other complaints and suggested the student see student health services.
Contact David Ress at (804) 649-6051 or
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Reader Reactions
To “citycynic” and “humphrey”: You do not even bother to reveal how you even KNOW Rosenbaum. I was a student of his for 4 years. What was Your experience with him??? I know for a FACT that Rosenbaum was Meticulous with safety and stressed it over and over and over in class, teaching us hands on how to mix clay properly. If anything, I was younger then and thought he was TOO emphatic on safety. Now as a professor of Ceramics myself, I know one can never be too careful. Allan was a STAR artist and he IS a STAR teacher, and he was beloved by many when he was able to teach ceramics. How dare you criticize this wonderful man and artist if you don’t know first hand nor can back up what you say.
Another coverup at VCU! It’s as obvious as the nose on our faces. Look at the stark and unsettling parallels with these facts and VCU’s last known attempted coverup of the unethically awarded degree to Chief Rodney Monroe.
So how does VCU deal with ugly facts? It’s easy. Just deny them or cover them up. Apparently they believe that if you get enough staff members to tell the same lie, VCU’s problem de jour, will often just go away.
It would seem that far too many in the leadership of VCU have impaired ethics. This appears to begin at the top with Gene Trani. If you look at any organization, you will typically find that the values, styles, and approaches set or practiced by top leadership will trickle down and throughout an organization. Most often this occurs with both good ethics and with bad ethics. Corrupt organizations and honorable ones.
The facts are: 1. Dust covered the walls and hallways up to 40 yards away from the mixers. 2. VCU sealed over the exhaust vents to PREVENT the toxic dust from circulating throughout the building. 3. VCU built an extra wall in an effort to further block the dust. 4. Some there used dust masks and some did not.
In legal parlance, it’s a Prima Facie case. I.E. the truth is apparent on the face of the matter. Further reporter David Ress is known for amazingly accurate and thorough reporting.
Following days of exhaustive investigation and testimony, the VEC found that just cause existed to award the $200,000 in health damages. Do any of us know more details that those VEC examiners and hearing officers who reviewed the facts first hand? I doubt it.
It’s one more sad day for VCU and what seems like the corrupt culture put in place there by Gene Traini, et. al. Dr Paul Fairman put it best when he stated the legal requirement that VCU had an obligation to report the hazards to authorities. VCU failed to do so for obvious reasons - it would damage their PR! It’s PR, Trani style.
A reasonable person would suspect that with so many layers and so many attempts to hide the truth there at VCU, that if you “rolled over a dozen large rocks” so to speak, that you would find something rotten under most all of them.
The air won’t be clean until Trani and his lieutenants are gone and a new culture of honesty and openness is restored at VCU by new leadership.
I attended VCU’s ceramics and glaze classes from 2003 to 2007. The years surrounding Rosenbaum’s diagnosis.
I spent 4 out of 5 school days in the ceramic studio for at least 3 hours at a time.
The statement “VCU health and safety officials do not require or encourage students to use respirators in the clay-mixing room.“ is irrelevant. Who are these officials?
They are certainly not our studio professors. The entire department staff stressed safety within the classroom. A respirator is at the top of the required classroom supply list.
Floors and equipment were washed down after every class, sometimes we even cleaned during class.
Everyone was required to wear respirators both while mixing clay and during the clean up of the room after every mixing.
We did not rely on janitors to clean our facilities. In not doing so, it instilled the practice of good studio upkeep after graduating. All ceramics students had required detailed cleaning tasks on a weekly basis. In disagreement to the claim, sweeping compound was used at all times.
This is a sad story nothing of which has to do with a cover up. Instead of misleading health and safety issues, I wish the article had focused on the work of Rosenbaum before he was so tragically stripped of the ability to enjoy his lifelong passion of working with clay. What a story that would have been.
BRAVO humphrey. He didn’t use safety equipment at VCU or in his home studio. You hit the nail on the head. There was no cover up by VCU - they just got tired of wasting time and money battling this guy.
I am disgusted by the RTD’s one-sidedness on this issue. I agree with the person who posted that as an artist you must be aware of any and all materials you come in contact with. Mr. Rosenbaum has taken little care with his own body and lungs exposing himself to this material and WITHOUT using a respirator. Yes, many students have witnessed Mr. Rosenbaum mixing clay without a respirator (every artist knows that you should wear a respirator when working with hazardous materials). Plus I suggest that his $211,000 be taken back and the commission should have done their research better and looked at Mr. Rosenbaum’s own off-site studio which he has worked in almost as long as he has been at VCU. I think they may not have awarded him this if they saw his off-site studio. Hmmm mysterious that no other cases have been reported. This seems to be just another case of someone biting the VCU hand that feeds them. I have complete confidence in VCU’s facilities and afterall it is the responsibility of the instructors to teach their students the safety of their materials.
This story is horrifying. I am appalled by the lack of leadership at all levels: the Dean who is supposed to protect the interests of his students and faculty (and allows garbage bags to be taped over vents!), the Vice President, who ingores a health threat for four years and then lies about it (claiming they started mopping in 2005 when the staff meeting minutes reveal that by January 2009 they still weren’t mopping!), and the Provost and President, who should have reacted swiftly and surely, once the diagnosis was known, to certify that the building was safe. The issue is not whether artists know there are hazards in their materials, citycynic. The issue is whether artists are led to believe that the building in which they work protects them from those hazards when it does not.
Maybe it’s because many of VCU students are either older students with families or students from less well-to-do families who are “working their way through” school and can’t take a full load of classes either because of time constraints or lack of funds - unlike the middle and upper class students largely populating Tech, W&M, UVA, etc. Also, VCU expanded its student body without expanding the size of the faculty, partly because of the low level of state support and low tuition levels (compared to other schools in the state). Insufficient faculty numbers translates into insufficient numbers of sections of courses, meaning that students can’t get into the courses they need in 4 years.
Tell me VCU sniffers, why does VCU have such a poor graduation rate? Less than half of the student body doesn’t graduate in 5 years, and that’s not counting transfers? Pretty pathetic if you ask me.
citycinic
You’re out in right field with those sentiments. This is a quality piece of investigative reporting and belongs on the front page. And you don’t think Tech got any negative PR after the tragedy? And we know what she means when she uses physical plant because that’s what it is, doesn’t matter what the pointy heads have renamed it.
Why don’t you just go have another cigarette.
Wait… the Department of Labor and Industry has not investigated this because V.C.U. has it’s own experts? Wouldn’t these “experts” be bias?
I was under the impression that the Department of Labor and Industry would investigate no matter how many experts V.C.U. claims to have. The party doing the investigation should be objective.
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